ONLINE CLASS: Italian Cinema Talkback-I Vitelloni by Fellini

DATES: 03/21/2021 - 03/28/2021
LOCATION: None
PRICE: $40.00
ABOUT THE INSTRUCTOR:
VISIT WEBSITE

Andy Holtzman is a former film historian who founded the first independent cinema theater at the New York Shakespeare Festival’s Public Theater. He will be joined each workshop by a different co-moderator, selected to balance the historical and cultural discussion around our films.  Several of our co-moderators will be Zooming-in live from Italy to offer an authentic examination of Italian cinematic impact within their country and across the globe.

Andy Holtzman is a former film historian who founded the first independent cinema theater at the New York Shakespeare Festival’s Public Theater. He will be joined each workshop by a different co-moderator, selected to balance the historical and cultural discussion around our films.  Several of our co-moderators will be Zooming-in live from Italy to offer an authentic examination of Italian cinematic impact within their country and across the globe.

Welcome back to our Italian Cinema Talkback series featuring Fellini’s I Vitelloni

Movies…Italian-Style! – a Cinema Round Table Discussion

Our first series on Italian Cinema last fall was quite popular, so we’re bringing it back this winter with more films, specially-selected co-moderators and new film genres.  We hope you will join us and our moderator, Andy Holtzman, for a deep dive into the world of Italian Cinema.

Post-World War II Italy saw the rise of influential directors who burst onto the world film arena. Actors such as Sophia Loren, Marcello Mastroianni and Anna Magnani among countless others achieved international stardom.  Timeless directors like Fellini, De Sica and Rossellini became household names.  Italian composers have achieved enormous influence and the glamorous Venice Film Festival, the oldest in the world, captures the industry’s global  attention every September when they award their coveted Silver and Golden Lions.

As before, this new series will explore a select treasure-trove of films across a broad historical swath of Italian cinema from the Golden Era of Italian cinema (Neo-Realism – Rossellini, Visconti, De Sica) into the surrealism of Fellini, to Post-Modernist Italian classics.  You will stream these films on your own and then we’ll discuss them together with our guest co-moderators.

Our selection for this new series is:

  • Cinema Paradiso, the post-modern Oscar winner set in Sicily
  • Two Women (La Ciociara) for which Sophia Loren won her Academy Award
  • Swept Away from the one and only Lina Wertmüller
  • I Vitelloni, Federico Fellini’s second, career-launching film
  • and finally, a classic spaghetti western*, The Good, The Bad and the Ugly with American actor, Clint Eastwood

How it Will Work

  • you watch the film in advance at your own convenience on one of your streaming services.  We strongly suggest you watch the films in Italian with subtitles
  • we will send the options for where/how you can see the film (usually Netflix or Youtube)
  • on the day of the class, follow our zoom invitation to access the discussion
  • listen in as Andy and that week’s co-moderator make their presentation about the film, historically, culturally and artistically
  • participate in a Q&A discussion of the film. 

*Spaghetti Western: also known as Italian Western or Macaroni Western, is a broad sub-genre of Western films primarily produced and directed by Italians, that emerged in the mid-1960s in the wake of Sergio Leone’s film-making style and international box-office success.  There were literally dozens produced each year in the 60’s-70’s. Some titles include:  Two Mafiamen in the Far West, For a Fist in the Eye, A Pistol for Ringo or 7 Vengeful Women.


Class Dates: Sundays, March 21 & 28.

Time:  1:00pm Eastern Time (That is 12:00pm Central time, 11:00am Mountain time and 10:00am Pacific time, or 6:00pm in the UK and 7:00pm in Europe)

Class Length:  1 hour presentation + moderator Q&A

Price:  $20 for single class or the remaining 2 sessions for $40.
Partner fee 1/2 price, if sharing the same screen.


Italian Cinema-Talkback, Series 2 Lineup:

March 21 – I Vitelloni, directed by Federico Fellini, 1954

The title of Federico Fellini’s second film as a solo director loosely translates into “The Overgrown Teen-Agers” or “The Young Calves.” Taken from the Italian word for veal, it’s a gentle idiomatic put-down of men in perpetual adolescence, Less well known in the USA, it was saddled with the awful release title here — “The Young and the Passionate — after its 1953 European premiere.
 
The very best of young Fellini went into this bleakly funny study of five young men adrift in the wasteland of their provincial home town. They’re middle class layabouts living off their families while nursing vague ambitions never likely to be more than pipe-dreams. They are trapped as much by their own moral bankruptcy as by the futureless society in which they have never quite grown up. Beautifully shot and well performed as an ensemble piece, I Vitelloni clearly put Fellini on the road to global success.

Co-moderator:  Marco Tommasin was born in a small town very close to Venice, Italy.  Due to his father’s job, he has moved around Europe ever since.  As a child, Marco was a cartoon fan and learned how to draw. Soon after that he discovered cinema which “became my school!” He attended classes at the art school in Milan and got his BA in Communication Science in London. Today he is happy to work in marketing and advertising.  “I really love cultures and learning so I am glad to share with you my passion for Italian cinema and time!”

I Vitelloni


March 28 – The Good, the Bad and the Ugly (Il Buono, Il Brutto E Il Cattivo), directed by Sergio Leone, 1966

The definitive Spaghetti Western, Sergio Leone’s The Good, the Bad and the Ugly is an unequaled, operatic 1966 widescreen epic starring Clint Eastwood as “the Good”, Lee Van Cleef as “the Bad” and Eli Wallach as “the Ugly”.

Co-moderator: Anna Carugati, Group Editorial Director, World Screen.  Anna is responsible for World Screen‘s overall editorial direction. She conducts the group’s signature interviews with the industry’s top executives, show creators and stars, and can be found moderating panels and keynotes at key industry events throughout the year. Fluent in English, French and Italian, Anna has been a reporter throughout her professional life, having worked at CBS in Chicago and Mediaset in Italy, as well as for trade journals such as The Hollywood Reporter and Electronic Media.

Clint Eastwood in “The Good, the Bad and the Ugly”

 

This class is online.  You can enjoy it from your own home using your laptop, iPad or smartphone.

Once you register, we’ll send you a Zoom link to join the class on the specific day, at the appointed hour.

You don’t need a Zoom account.  Just click the link and you will be admitted.

We will send you the zoom invitation once you register for the class.

Please log in a few minutes early to greet the others and to get situated.